Nollywood’s “Detty December” has reached a pitch as Funke Akindele’s Behind The Scenes solidified its status as a box office juggernaut, crossing the ₦500 million mark in record time. According to data released on Tuesday, December 23, the film achieved this milestone in just 12 days, surpassing the previous record for the fastest Nollywood film to reach a half-billion naira.Meanwhile, Toyin Abraham’s “Oversabi Aunty” made a grand entrance, with approximately ₦100 million during its opening weekend. Following closely on December 19, Toyin Abraham released Oversabi Aunty. The comedy-drama focuses on the interference of a well-meaning but meddlesome relative, a theme that resonated with local audiences.Funke Akindele, who currently holds the record for the highest-grossing Nollywood film of all time, “Everybody Loves Jenifa” at ₦1.88 billion, released “Behind The Scenes” on December 12. The film explores the “black tax” and the hidden burdens of a successful entrepreneur.Behind The Scenes reached ₦514 million faster than any previous Nollywood title, including Akindele’s own 2024 hit, Everybody Loves Jenifa.Funke Akindele has produced the highest-grossing film of 2025, dethroning the heist thriller Gingerrr, which peaked at ₦509 million.Despite the heavy competition, Toyin Abraham’s Oversabi Aunty secured the number two spot on the charts.
Nigerian launch campaign to ban Netflix over movie ‘The Herd’
A controversy has erupted in following the release of the Netflix movie “The Herd,” directed by Nollywood actor Daniel Etim-Effiong, leading to a viral campaign by some Nigerian calling for the immediate cancellation of Netflix services.The film, which depicts a kidnapping carried out by bandits often identified as Fulani herdsmen, has raised outrage among critics who accuse the movie of ethnic and religious profiling.The online campaign, launched primarily on X (formerly Twitter), urges users to delete the Netflix app and boycott the streaming giant. Critics argue that the movie dangerously stereotypes an entire ethnic group the Fulani).The controversy centers on a specific scene that allegedly shows Fulani herders crossing the road with cattle, only to suddenly pull out guns and abduct travelers.A prominent voice in the criticism is Bashir Ahmaad, a former aide to President Muhammadu Buhari. He acknowledged the surge of banditry but condemned the film for its broad strokes. The reason why some Arewa people are angry about The Herd movie is not because we are denying the reality of banditry, far from it. It is about the dangerous consequences of profiling an entire ethnic group and region that has already suffered immensely from years of insecurity – Ahmaad. Ahmaad argued that while some criminals are Fulani, the vast majority of herders are innocent victims of the crisis themselves. He warned that a film with an international platform like Netflix, which portrays a one-dimensional story, reinforces harmful stereotypes that fuel suspicion and resentment. He suggested that the Nigerian Film Corporation should have provided guidance to prevent such “damaging portrayals.”Despite the heavy criticism, many social media users and members of the Nigerian creative industry have rallied behind the film, arguing that its purpose is to reflect the uncomfortable truth of Nigeria’s current security challenges. I genuinely don’t understand why a certain group is angry that this movie reflects the current realities of Nigeria. You can’t accuse a movie of ‘misrepresentation’ when it mirrors events the whole country has witnessed – A social media user wrote However, social media commentator Daniel Regha criticized the film for going beyond accurate reflection, claiming it pushed negative stereotypes by portraying Hausas as bandits, Yorubas as accomplices, and Igbos as egoistic and naive. Regha rated the movie 2/10, due to his claimed numerous plot holes and technical errors.The film, released on Friday, November 17, 2025, has already generated over 30 million views, making it one of the most talked-about Nollywood releases of the year.
DStv offers South African customers 3-days of free premium channels to celebrate 30 years
MultiChoice, in celebration of its 30th anniversary, is giving all active South African DStv decoder customers free access to its Premium channels from November 7 to 9, 2025. This “Open Time Weekend” allows subscribers to enjoy top-tier content including movies, documentaries, live sports, and reality shows, regardless of their current subscription level.MultiChoice’s CEO of SA Pay-TV, Byron du Plessis, stated; For three decades, DStv has been a significant part of South Africans’ lives, and this weekend is our way of expressing gratitude. DStv aims to remind subscribers of the value and diversity offered within its ecosystem, by temporarily unlocking the Premium tier. The goal of the company is to attract former customers and encourage upgrades from lower-tier packages by showcasing the benefits of premium programming.
Nigerian Box Office hits ₦573 million in October with “Gingerrr” and “The Herd” topping the chart
The Nigerian Box Office recorded one of its best months in 2025, generating ₦573.2 million from late September through October. “Gingerrr” topped the box office charts with ₦435.5 million, followed by “The Herd”, which grossed ₦137.7 million. These figures outperformed several international blockbusters.Directed by Yemi Morafa and produced by Bolaji Ogunmola, Kiekie, and Bisola Aiyeola, “Gingerrr” earned ₦82.8 million during its opening weekend. Its six-week success is attributed to fast-paced humour, an energetic cast, and vibrant storytelling that resonated widely.Other notable films contributing to October’s success include “Blackphone 2” (₦23.8 million), “Trons: Ares” (₦107.7 million), “Idia” (₦18 million), and “Regretting You” (₦4.4 million). These movies show the growing diversity and richness of Nollywood movies. Notably, “Gingerrr” outperformed “Deadpool and Wolverine” and “The Equalizer 3” on Cinema Day, due to the power of social media engagement.”The Herd”, produced by Etim-Effiong, exemplifies the evolving storytelling of Nollywood, focusing on themes of love, family, and transformation with strong production values.Nollywood’s momentum shows no sign of slowing, with local films continuing to dominate box office charts despite economic pressures. Despite rising ticket prices amid inflation, the strong turnout for local films continues, reflecting the efforts of Nollywood towards digital innovation, audience insight, and creative confidence.
Sony unveils latest sound series for Nigeria’s vibrant music culture
Sony recently launched its latest ULT Power Sound series in Lagos, Nigeria, during a lively Independence Day celebration. The new range of party speakers – ULT Tower 9, ULT Field 5, ULT Field 3, and ULTMIC1 – were unveiled at the Sheraton Lagos Hotel, with influencers, tech bloggers, and media in attendance for live demos and interactive sessions. The event featured music performances, karaoke, quizzes, and plenty of networking. Sony’s new speakers are designed for both home and on-the-go enjoyment, offering strong bass, portability, and smart connectivity to suit Nigeria’s vibrant entertainment lifestyle. Notable local influencers helped spread excitement by sharing moments across their social media channels. Sony’s Managing Director for Middle East and Africa, Jobin Joejoe, showcase the brand’s commitment to innovation in the Nigerian market, saying the new series was created to deliver sound and experiences that fit the energetic spirit of the nation. These products build on Sony’s earlier entry into Nigeria’s audio scene and show continued support for entertainment as a key part of local culture. Industry insiders expect the new sound series to drive more options and sales for music lovers and party-goers as Nigeria’s entertainment sector keeps growing.
How Ruth Kadiri is changing Nollywood with YouTube and digital storytelling
At the GLG Communications’ World PR Day Soirée & PR Power List Awards held recently in Lagos, Nollywood’s digital transformation took center stage. Ruth Kadiri, CEO of Ruth Kadiri Productions, captured attention by sharing her journey of pioneering digital-first film-making in Nigeria. Kadiri’s YouTube channel has amassed over 436 million views and 3 million subscribers, proving that Nollywood can thrive beyond traditional cinema distribution. Speaking to an engaged audience at Alliance Française in Ikoyi, she explained why she chose to focus on digital platforms when most filmmakers stuck to old models. I wanted to be different. I don’t like moving with the crowd because I feel like I can’t compete…instead of turning one movie into 20, why not just create something good? She also stressed how the industry often divides into “the upper class and the nobodies”, with little middle ground. Despite initial doubts about YouTube, which many considered mainly a music platform, she believed in its potential for filmmakers. Kadiri’s approach wasn’t without risks. She faced challenges like finding the right team and managing production costs while ensuring a return on investment. But her willingness to embrace data analytics on YouTube helped shape her content strategy. Her breakthrough came when she tapped into the French-speaking market, showing how digital platforms can connect Nigerian stories to new international audiences. Kadiri stressed balancing local culture with universal themes like love and relationships to reach wider viewers. Adetutu Laditan, moderator and Founder of Woof Studios Africa, praised Kadiri’s innovative mindset. Laditan, with over a decade at Google and YouTube, called Nollywood’s future “progressive”, which shows the optimism for ongoing digital growth and creativity.